Vol 61, No 1 (2019)

Table of Contents

Editor’s Introduction: Book Tastings
John Pruitt, University of Wisconsin-Whitewater, Rock County
I just learned about Book Tastings, so I asked WEJ‘s readers to showcase their own so I and others could learn more about these events.

Amy Recob, Black River Falls Middle School

Tina Thone, Horace Mann Middle School, Sheboygan


Reigniting the Love of Reading with Penny Kittle
Emily M VanDyne, Union Grove High School
Abstract. Using the research and philosophies of Penny Kittle, VanDyne endeavored to overhaul her classroom to focus on growing reading stamina and fluency while helping her students discover their personal connection with books.

“Social Justice: The Power of Choice and Voice”: Helping Students Understand That All Kinds of Writing Can Change the World
Michelle Lange, Parker High School, Janesville
Abstract. The authors explore how poetic inquiry, used within their own multicultural education classroom, models ways in which secondary classrooms can incorporate poetry to explore and process current events.

How to FRAME the First 10 Minutes of Class
Peg Grafwallner, Ronald Reagan High School, Milwaukee
Abstract. This is an excerpt from Grafwallner’s forthcoming book, working title: How to FRAME (Focus, Reach, Ask/Analyze, Model and Encourage) Your Class for Optimum Success (Solution Tree)

Using Kahoot Jumble to Teach Paragraphing in the Writing Classroom
Adam Sprague, Assistant Professor and Student Success Coordinator, Bellin College
Abstract. Sprague shows how Kahoot Jumble, a mobile student response system, allows writing instructors of all levels to teach focused paragraphing lessons by focusing on keywords and phrases in a fun, collaborative way.

Book Reviews

Review: Pryle, Reading with Presence: Crafting Mindful, Evidence-Based Reading Responses
Paul Wiegel, Ripon High School/Lumen Charter High School

Review: O’Neal-McElrath, Winning Grants Step by Step (4th ed)
Thomas Hansen, Illinois State Board of Education


Review: Schroff and Tresniowski, An Invisible Thread
Thomas Hansen, Illinois State Board of Education

Review: Grafwallner, Lessons Learned from the Special Education Classroom
Heidi Hamilton, Special Education Teacher, Arrowhead Union High School
Elizabeth Jorgensen, Language Arts Teacher, Arrowhead Union High School

Book Tasting at Horace Mann Middle School

Tina Thone, Horace Mann Middle School, Sheboygan, tthone @ sasd.net

First, I knew I had to be concise with the time restraints. I had only 60 minute class periods and knew I had to choose genres that my students gravitated to, but I also wanted them to explore genres that they wouldn’t otherwise choose. I decided on science fiction, historical fiction, mystery, realistic fiction, graphic novels, and biography.

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To begin, my students made reservations the week before the book tasting. I knew the tables would be set up so that six could sit at each one. With these reservations, I made assigned seating. As they entered the library, they found their name card with a table number. They then found their table.

Each table was set up to look like a fine dining experience. I purchased tablecloths, each student had a placemat to jot down notes, they were given a menu as their guide for the book tasting experience, and they answered questions about each book they “tasted.” In the center of each table, I brought in my personal cake plates from home and stacked the books on each one. Each table was a different genre represented by a decorative sign and a homemade table sign.

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With the amount of time, each student was able to get through only three genres. While they tasted three books per genre, they used their menu to guide them. They took notes on their thoughts of the cover, their reaction to reading the first few pages of the book, their take on how the author grabbed their attention, and rated of each book they tasted.

When they finished three rounds, they chose three books they were really interested in reading and documented the titles on a bookmark. Depending on which books were available, they checked out a new book!

The bookmarks were kept and used for further book checkouts.

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I also reached out to my very supportive parents for donations of baked goods, napkins, and plates. So many parents donated that we had more than enough for all four of my ELA classes. The kids enjoyed a special treat after they found their new books to read.

The students had nothing but positive feedback on this experience. We visit the library every other week for book exchanges. Many asked if we could do this every time we exchanged books! Even my reluctant readers found this to be an engaging experience. I think the best part was that my students continued to check out the choices on their bookmarks.

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The biggest thing that I would change is the amount of time spent doing this. I think I would try to adjust our schedule so we had more than 60 minutes. I think it would be great if the kids could make it to every genre. I felt it was important that they could experience three books from each genre, so extending the experience would make it so much better!

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Book Tasting at Black River Falls Middle School

Amy Recob, Black River Falls Middle School, amy.recob @ brf.org

Raid the dollar store for tablecloths, flowers, fake candles, a mini violin, and fancy plates

recob 3

I found a sampling of books at 5 different levels

The students walked into “Chateau de Recobia” to find their place cards at candlelit tables (with book choices at their level — not many picked up on that)

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The hostess of Chateau de Recobia handed out tasting menus with a Diner’s Scorecard so patrons could rate the various books they were sampling.

recob 2

recob 1

I brought out different “courses” if the customers were not satisfied with any of their choices.

Toward the end of the dining experience, students conversed about the main courses and collectively decide on one to read as a group for literature circles. I did allow some students to stray from the group.

recob 5

Using Kahoot Jumble to Teach Paragraphing in the Writing Classroom

Adam Sprague, Bellin College, adam.sprague @ bellincollege.edu

Over the past twenty years, online formative assessment has emerged as a valid pedagogical strategy from the combination of research in both formative assessment and computer-assisted assessment. In fact, numerous scholars have synthesized a plethora of knowledge in these two fields of research (Clark, 2012; Conole & Warburton, 2005; Nicol, 2009). One common thread found within these syntheses is that technology can be used successfully by instructors for evaluative purposes (Brown, 1997; Skorczynska, del Saz Rubio, & Carrió-Pastor, 2016). This realization may mean that writing instructors could use student response systems (SRS) to help evaluate how their writers are progressing toward various writing skills as SRS have been used successfully to evaluate a wide range of other skill sets in courses ranging from Sports Management to English as a Second Language. Furthermore, students consistently report that SRS are easy to use and improve their engagement in these environments (Dervan, 2014; Sprague, 2016; Steed, 2013; Williamson-Leadley & Ingram, 2013). As a result of SRS providing immediate, targeted feedback that improves overall learning (Angus & Watson, 2009; Kibble, 2007; Wang, 2007), I wanted to test how they would respond to the use of Kahoot, a mobile SRS, as a way to evaluate their progress with paragraphing within the second unit of a college-level writing course.

Kahoot is an Internet-based SRS that enables students to practice skills in a fun and inviting atmosphere. Teachers can create quizzes, puzzles, surveys, and polls, and students can respond during class time by using a smartphone or computer. By mimicking a game show, Kahoot encourages students to compete with each other, which, research suggests, both increases motivation to learn and increases engagement with class material (Iaremenko, 2017; Wang, 2015; Zarzycka-Piskorz, 2016).

During the Fall 2018 semester, I tested Kahoot’s newest mode, Kahoot Jumble (KJ), with forty of my own students across two sections of a required, first-year Composition & Professional Writing course to see if the software could serve as an effective modality for demonstrating paragraph writing knowledge after a series of lectures, readings, and activities on paragraph writing conventions. I was particularly interested in KJ because it offered a different experience from the other SRS like Socrative in that the mode encourages even more focus and critical thinking. That is, KJ’s questions challenge students to quickly place answers in the correct order rather than only select a single correct answer from a list of possibilities (see Figure 1).

Figure 1. Kahoot Jumble projector layout (on the left) with students’ smartphone layout (on the right). KJ drastically differs from the two other modes in Kahoot. For example, Kahoot Quiz simply asks for the correct answer in multiple-choice fashion, and Kahoot Survey allows teachers to gather only students’ opinions about the prompt they create.


Using KJ as a teacher is an easy and straightforward process. In order to create a quiz, log into your account and select from the quiz, jumble, or survey options displayed under “Create new Kahoot!” Once you select the jumble option, you will be asked to enter a name for the KJ, select “Go!,” and write the first prompt or question. There are a variety of options available when writing questions for the activity, including uploading videos, pictures, and music in order to encourage thinking. A drag and drop option is also provided for adding pictures. You can also play a YouTube video during a specific prompt/question by placing a URL address in the box requiring a website ID.

Once you add the prompt or question (e.g., “Correctly organize the following sentences to make a paragraph”), and you have added any other multimedia features, you can include up to four “answers” for students to drag and drop into the correct order. The answers can be single words or short phrases, but both the questions and answers have character limits. Prompts and questions are limited to 80 characters, while the answers are limited to 60 characters.

You can also adjust the amount of time to answer each question and the number of points each question is worth. Once you have completed the prompt/question, select “+ Add question” at the bottom of the page until you have completed the quiz. After adding the last question, select “Save & Continue” to be asked about language, privacy settings, and the primary audience. There is also an option to include a description of the jumble and the difficulty level of the KJ.

Then, once ready to present your KJ, log in and choose your previously created KJ, which is then displayed on the screen. Students then visit www.kahoot.it via their browser, enter the PIN displayed on the main projector screen, and type their name or nickname (which will then be displayed on the main screen). All names entered are then shown to the class, so both students and teachers can see who has joined the session. Once everyone is accounted for, simply click to start the KJ.

During the KJ, the three top-scoring students will be displayed after each question. This is a useful way of introducing a competitive element, particularly if there’s a reward for the winner. An especially useful feature is that each time you deliver a KJ, the data from all of the participants’ responses are saved. You can choose to download this after the session is over either as a Microsoft Excel file or to import the data directly to Google Drive.

In my class, I introduced paragraph organization and transitional phrases, and my students learned how to place sentences in the appropriate location of a paragraph by only looking for key phrases. They then learned a number of basic transitions presented in the textbook, They Say/I Say. For example, we analyzed basic one-word, two-word, and three-word transitional phrases like “for example,” “next,” “the primary reason,” “another point,” “in conclusion,” “this means,” “moreover,” and so on. We then discussed how such phrases usually appeared in a very specific part of a paragraph. We also analyzed previously published articles and essays to understand this point more fully.

Rather than rely on what I have regularly done, that is, cut up paper copies of paragraphs I’ve written and distribute the randomized sentences to groups to re-order, during the KJ I presented them with the key phrases we had covered and then assigned them to drag them into the correct order on their smartphones and laptops. Immediately, I noticed improved engagement and fun levels compared to the non-digital alternative. Additionally, the results report (a downloadable spreadsheet) allowed me to see who was struggling. I learned much more about each individual learner this way than by the much more difficult approach of walking around the room and checking each student’s work, as one of the sections of my course had an enrollment of more than thirty.

Although it is natural for students to improve over the course of the semester, the average essay grades in the course rose from unit 1 to unit 2 when KJ was implemented in regard to paragraph organization and transition use. Ten points of each essay grade were linked to paragraph organization and transitions, and the average in this category rose from an 8.3 or 83% in unit 1 to a 9.1 or 91% in unit 2. While this positive change in academic performance is encouraging, 14 students also commented on the use of KJ in a short, anonymous survey emailed to them three months after the class concluded and final grades were released. Key written responses included:

I [can’t] believe you made all of those [prompts/questions] for us. They really helped me understand how to do a good paragraph.

The [KJ] games were fun. It was better than reading. It made me really want to win too.

My favorite part was that you gave us cool little prizes for winning. I wish all my teachers at [the college] used [KJ] for review especially for [course title] because [the teacher] is never around and [he/she] doesn’t explain anything and [he/she] doesn’t review anything either.

[KJ] helped me with [transitions]. Words like moreover I don’t even get. I honestly hated the book but [the KJ] told me which ones to use.

I really liked the games. They also showed us exactly what you wanted [in] the essays. It helped me get [an] A.

They were good. I just liked that I could play it after class.


Despite this positive feedback, we know that technology can fail and have several downsides. First, students can be bumped from the game if their WiFi connection drops, which did occasionally happen. Another concern may be the level of noise KJ will create itself and promote in the classroom. In true gameshow fashion, KJ plays music in the background and uses sound effects to mark when time to respond is running low for a particular prompt. While the music and sound effects can encourage engagement with the software, it could also be stressful and cause the classroom to become quite noisy as students yell in excitement or agony over gaining and losing points. Additionally, everyone will need either a phone or laptop in order to participate fully and may feel singled out if they do not have such technology. It is harder to measure and evaluate individual learning if they are then paired in groups versus tackling the KJ independently. Finally, I would not recommend using KJ for each unit. Teachers also need to be aware that KJ’s ease of use and functionality might lead to becoming too reliant upon it rather than varying pedagogical approaches to appeal to a variety of learning styles.

Even with these concerns in mind, the advantages of KJ vastly outweigh the disadvantages. Those kicked out of the game by poor WiFi can easily be partnered up with a peer, and the majority of group activities, digital or non-digital, tend to bring with them a certain expectation for noise. After my experimentation with KJ, I can confidently recommend this modality as an effective way to create intrinsic motivation among writers because it allows them to engage more deeply with their instructor and peers because of its collaborative nature. I feel strongly that such engagement and intrinsic motivation are key to encouraging long-term retention. KJ provides an enjoyable and meaningful learning environment that, if implemented carefully, may further increase the likelihood that students will end the course with a higher writing proficiency than if KJ were not used at all as evident by the rise in essay grades in unit 2 versus unit 1 mentioned above.

While there are certainly numerous ways to teach paragraphing, it can safely be argued that KJ positively impacted my students’ grades and afforded them a more collaborative, engaging, less confusing unit compared to when KJ was not used. Certainly, they could have scored just as highly or perhaps even more highly on the unit 2 essays without the use of KJ; however, KJ provided an enjoyable environment that differed from a textbook, PowerPoint, or traditional lecture. Though more research is needed to fully understand KJ’s efficacy in the writing classroom, and this experiment was conducted with a relatively small sample size, these results are nonetheless a promising addition to the ongoing conversation regarding SRS. I strongly believe that KJ could be an excellent platform for grammar instruction and evaluation in relation to a number of topics.

I will definitely use this tool in future semesters to check my students’ comprehension of paragraphing. As an assessment tool, I think it has some benefits as a way of getting a general sense of knowledge or skill in the room because the nature of the activity demands full class participation and provides a lens through which to view individual results. More importantly, KJ is a useful way of breaking up class sessions and re-energizing students who display signs of boredom. Most importantly, students reported loving the activity and requested to do more throughout the remainder of the semester. Given the easy interface and low learning curve, why not give it a try and share your own results?
Angus, S. D., & Watson, J. (2009). Does regular online testing enhance student learning in the numerical sciences? Robust evidence from a large data set. British Journal of Educational Technology, 40(2), 255-272. https://doi.org/10.1111/j.1467-8535.2008.0091.x

Brown, J. D. (1997). Computers in language testing: Present research and some future directions. Language Learning and Technology, 1(1), 44-59. Retrieved from MLA International Bibliography database. (Accession No. 2002650154)

Clark, I. (2012). Formative assessment: Assessment is for self-regulated learning. Educational Psychology Review, 24(2), 205-249. https://doi.org/10.1007/s10648-011-9191-6

Conole, G., & Warburton, B. (2005). A review of computer-assisted assessment. ALT-J, 13(1), 17-31. https://doi.org/10.1080/0968776042000339772

Dervan, P. (2014). Increasing in-class student engagement using Socrative (an online Student Response System). AISHE-J, 6(3), 1801-1813. http://ojs.aishe.org/index.php/aishe-j/article/view/180/283

Kibble, J. (2007). Use of unsupervised online quizzes as formative assessment in a medical physiology course: Effects of incentives on student participation and performance. Advances in Physiology Education, 31(3), 253-260. https://doi.org/10.1152/advan.00027.2007

Nicol, D. (2009). Assessment for learner self‐regulation: Enhancing achievement in the first year using learning technologies. Assessment & Evaluation in Higher Education, 34(3), 335-352. https://doi.org/10.1080/02602930802255139

Skorczynska, H., del Saz Rubio, M., & Carrió-Pastor, M. L. (2016). Second language teaching and technology. An overview. In Technology implementation in second language teaching and translation studies: New tools, new approaches (pp. 13-32). Singapore: Springer.

Sprague, A. (2016). Improving the ESL graduate writing classroom using Socrative: (Re)considering exit tickets. TESOL Journal, 7(4), 989-998. https://doi.org/10.1002/tesj.295

Steed, A. (2013). Technology in the classroom. Teaching Business & Economics, 17(3), 7-9. through application of digital games in an English language classroom Retrieved from Education Research Complete database. (Accession No. 93286186)

Wang, A. I. (2015). The wear out effect of a game-based student response system. Computers and Education, 82, 217–227. https://doi.org/10.1016/j.compedu.2014.11.004

Wang, T-H. (2007). What strategies are effective for formative assessment in an e‐learning environment? Journal of Computer Assisted Learning, 23(3), 171-186. Retrieved from ERIC database. (Accession No. EJ762695)

Williamson-Leadley, S., & Ingram, N. (2013). Show and tell: Using iPads for assessment in mathematics. Computers in New Zealand Schools: Learning, Teaching, Technology, 25(1-3), 117-137. https://www.otago.ac.nz/cdelt/otago065360.pdf

Zarzycka-Piskorz, E. (2016). Kahoot it or not? Can games be motivating in learning grammar? Teaching English with Technology, 16(3), 17–36. Retrieved from MLA International Bibliography database. (Accession No. 2016651621)

“Social Justice: The Power of Choice and Voice”: Helping Students Understand That All Kinds of Writing Can Change the World

Michelle C Lange, Parker High School, Janesville, WI, michlange @ janesville.k12.wi.us

I have a vision of bringing meaningful writing tasks to students. While we need to teach the craft of writing, we also need to teach the art of writing. Like fake news, fake professional learning communities (PLCs) confuse the truth about how and what we teach in our content areas and grade levels. Five-paragraph formulas and paragraph templates such as MEL-Con stifle student creativity and authenticity, engagement, and empowerment. Teacher-directed formats are destroying our opportunities to enable students to develop their creative and critical thinking skills. Our current state of “synchronized” teaching, standardized testing, and quantity-over-quality curriculum design not only disengage our students but also the teachers. My vision is to teach writing that will engage and empower my students to effect change.

While my passion lies in our need to bring real-world importance to the curriculum, my cynicism about the realities of this world inspires my need to provide opportunities for change. As I contemplate reasons to bring in real-world education, I only have to watch the news to find evidence for the need to bring social justice issues to our curriculum. For example, in early November 2018, USA Today ran a headline that “Male Students at an (Almost) All-White High School Gave a Nazi Salute” on the steps of the courthouse in Baraboo, Wisconsin (Nelson). Ultimately, according to a follow-up in late November, the “students’ actions were protected under the First Amendment” (Pinsker). Still, as reported in the Wisconsin State Journal on December 5, 2018, the Baraboo School District proposed instituting changes such as “yearly field trips to the Illinois Holocaust Museum and Education Center in Skokie, Illinois, and developing teachers’ social justice instruction skills” (Aadland). In a similar story, students from Minnetonka High School in Minnesota posted on social media an advertisement for their school dance, reading “Sweethearts would be a Hit(ler) w/you, and I could Nazi myself going w/anybody else. Be Mein? Yes or Nein” (Moritz-Rabson, 2019).


Also, many of us remember the viral video of students from Covington Catholic High School in Kentucky, all wearing MAGA hats, reportedly intimidating Native American protester Nathan Phillips and other activists after the Indigenous Peoples March at the Lincoln Memorial in January 2019. We soon learned, though, of many conflicting accounts of what happened that day. As Robin Roberts, news anchor for ABC’s Good Morning America, said in reference to the encounter, “Only people who were there know the truth” (as cited in Wootson, Olivo, & Heim, 2019).


In each of these instances, the schools stated that the actions of these youth do not reflect the core values of the district. This leads me to ask what we are doing to educate students about how to instigate change surrounding justice issues and learn to respect the real world we all share. It is important that we start building a generation of youth that understands social justice and injustice and knows how to use its education to make this country really great. That starts with learning fact from fiction, understanding multiple perspectives, and considering the most effective words and actions to bring about change.

“Social Justice: The Power of Choice and Voice”
During the Greater Madison Writing Project’s 2017 summer institute, I designed and proposed the course “Social Justice: The Power of Choice and Voice” to be offered during the 2018-2019 school year (Appendix). “The Power of Choice and Voice” suggests that we employ methods that engage and empower students and also engage and empower the teachers responsible for these students. It is important that we widen our students’ vision of education and our own vision of the teaching profession in a system often polluted with standardized testing, misrepresented professional learning communities, poorly practiced instruction, and stifled creativity.

The uncertainty of the course’s approval inspired me to research what this idea of choice and voice could mean. Is it a feasible idea? Will it teach critical thinking, creative thinking? engage? inspire? meet the CCSS? prove to students that they have the power to effect change? Isn’t that important if we want them prepared to be global citizens? The work I did for this workshop introduced me to sources that will help shape this course and assured me that the answer to all those questions is “yes”!

The purpose of the course is to blend critical and creative thinking skills alongside presentation and performance skills. Students will understand the concept and power of different genres to change the world. Major concepts include the study of social justice and culturally charged issues that affect our world globally, locally, and, possibly, very personally. They will study different genres of writing as they research social justice topics: Words on paper, images on digital screens, messages encoded on other surfaces such as canvases, sculptures, billboards, music, video games, websites, social media, narrative, documentary films, television, advertisements, maps, illustrations, letters, magazines, digital texts (Garcia & O’Donnell-Allen, 2015, p. 92). In fact, the study of these genres will inform them of how we are influenced through different texts and how they can create influence through the production of different texts. Ultimately, this is one of the choices students can make.

The meaning of voice is multi-faceted: students give voice to an issue they care about (another choice), the voice in their texts will establish the writer’s authenticity, and the voice is the format through which they choose to express their ideas : poetry, performance, letters, memorials, plays, photography, action research, columns, blogs, digital storytelling, documentary film, autobiographies and biographies, speeches, music, comics, visual arts. Pipher (2006) argues that “All kinds of writing can change the world” (p.15), and we need to share that secret with our students, for “You want to search for what you alone can say and then how you can say it most effectively” (p.27). This means, too, that our students choose the genre of communication created from personal strengths. To this end, they will study the elements of different genres of communication; study, research, and discuss social issues; plan, write, revise, and/or rehearse their choice of genres based on the research of self-selected social issues with the ultimate goal for public performance/presentation/publication.

This course will run for the entire year, beginning with immersion in genre study. We will discover and evaluate the effectiveness of words and images in their many forms and come to understand that meaningful expression rarely shows itself in a five-paragraph format. Later, we will consider how genres bring notice to environmental and human justice issues. The students will then choose one issue they want to impact, at what level (i. e., local, state, or national), and the genres of texts they will create to achieve this impact.

During the second semester, they will create multi-media projects that include a cross section of texts from the genres we studied. By the end of the school year, I envision a Social Justice gala where they display and/or perform their projects for parents, students, teachers, administration, and the general public. This is a great opportunity for them to show their activism and involvement in and beyond the community.

I will also encourage and help them to actively network to complete research from primary resources in the community and deliver their messages to others directly through letter writing, billboards, public service announcements, council meetings, whichever outlet is best matched for the social issue. I want to see them complete as much research and create influence outside the classroom as they do within the classroom because it is outside those cinder block walls that their words will effect the greatest change.

Currently, we are implementing the use of portfolios in our English courses. I imagine this yearlong experience will build a telling portfolio of engaging and empowering instruction that will house evidence of several common core state standards in reading, writing, speaking and listening, and language standards. The artifacts in the portfolios will illustrate the process of learning, researching, creating, revising, and reflecting. Tierney, Carter, and Desai (1991) discuss portfolios in the Arts PROPEL project, arguing that “portfolios become evidence of growth and change over time in terms of reflection, involvement in long-term projects, self-concept, and visual awareness” (p.164), which epitomizes the outcome of this course. They also cite Norman Brown, an arts PROPEL teacher who lists the components of the portfolio: 1) the portfolio review, which is ongoing and allows students to discuss ideas and be part of the evaluation process; 2) pivotal pieces, which provide them with new insight and sense of direction; 3) companion pieces, which involve the same idea constructed in different ways; and 4) footprints, which are the pieces they will refine (p. 164). The artifacts may also be digital evidence of audio and/or visual texts. They could possibly be the culmination of both paper and digital portfolios. I see the portfolio review, pivotal pieces, and companion pieces as formative grades and the footprints in their finality to be summative along with quarterly portfolio reviews and conferences and narrative reflections following these conferences. This process will engage and empower the students in their own learning, growth, and assessment in their quest to effect change.

While teaching different genres will present a challenge, this particular class is for juniors and seniors. I know they are capable navigators of technology, and I can offer guidance for what they don’t know or what we can learn together. The teaching of writing is the backbone of the course; morphing that writing into an appropriate genre that maintains the voice, the message, and the effectiveness to instigate change is the nuance of the course with the real distinction being the choice and voice given to students who can address the injustices of the world.

Was it approved?
The course proposal was approved for the 2018–2019 school year. However, only seven students registered for the course at my building while the cross-town high school registered thirty students, so my students took the course via teleconference. While my teaching intuition tells me that teleconferencing will not do this class justice (no pun intended), I learned that I’ll teach my first section in the 2019-2020 school year. My mind is flooded with ideas and excitement and impatience for the time to arrive. My next step is to consider how to incorporate the ideas of this course into the core courses that have a dictated curriculum in content and time frames, which also means getting other educators, administrators, curriculum coordinators, and learning support specialists on board to bring engaging and purposeful content to our classes.

Additional Course Resources
I do not plan to have a course text but rather a collection of texts. If I were to have an anchor text, it would definitely be Pipher’s Writing to Change the World. I prefer, however, to offer my students a library of resources. And, of course, we will access the world wide web, documentaries, news sources, video and audio sources, and a plethora of print sources to study genres of writing and social justice issues which will lead to choosing their own issues to effect change through multiple genres of writing.

Bernard, Documentary Storytelling: Creative Nonfiction on Screen
Coval, The BreakBeat Poets: New American Poetry in the Age of Hip Hop
Cushway, Of Poetry and Protest: From Emmett Till to Trayvon Martin
Eleveld, The Spoken Word Revolution
Fadiman and Lavelle, Producing with Passion: Making Films that Change the World
Forche, Against Forgetting: Twentieth-Century Poetry of Witness
Glasner, Poetry Slam: The Competitive Art of Performance Poetry
Hampe, Making Documentary Films and Videos: A Practical Guide to Planning, Filming, and Editing Documentaries
Smith and Kraynak, Take the Mic: The Art of Performance Poetry, Slam, the Spoken Word
Somers-Willett, The Cultural Politics of Slam Poetry: Race, Identity, and the Performance of Popular Verse in America
Romano, Blending Genre, Altering Style: Writing Multgenre Papers
Romano, Fearless Writing: Multigenre to Motivate and Inspire

Of course, there’s no need for a new course to engage and empower our students to effect change in their communities: we can give them choice and voice across ages and content areas in order to develop their critical and creative thinking skills. This should matter to every teacher who hopes to inspire students to feel engaged and empowered when they walk across the graduation stage.

Janis Joplin sings “Freedom’s just another word for nothing left to lose,” and we truly have nothing left to lose in our classrooms or our world that we haven’t already, so let’s grant our students the freedom to have that power of choice and voice in their education so they can instigate the kinds of change our world needs!



News Articles
Aadland, C. (2018, December 5). Baraboo School District lays out changes in aftermath of Nazi salute photo controversy. Wisconsin State Journal. Retrieved from https://madison.com/wsj/

Moritz-Rabson, D. (2019, January 19). Students condemned for Hitler-themed dance invitation, Nazi salutes. Newsweek. Retrieved from https://www.newsweek.com

Nelson, J. B. (2018, November 12). Male students at an (almost) all-white high school gave a Nazi salute. Now officials want to figure out why. USA Today. Retrieved from https://www.usatoday.com

Pinsker, J. (2018, November 27). Why Wisconsin high schoolers aren’t being punished for mimicking a Nazi salute. Atlantic. Retrieved from https://www.theatlantic.com

Wootson, C. R., Jr, Olivo, A., & Heim, J. (2019, January 22). “It was getting ugly”: Native American drummer speaks out on his encounter with MAGA-hat-wearing teens. Washington Post. Retrieved from https://www.washingtonpost.com

Annotated Bibliography
The following sources are all very useful in defending our need to give students the power of choice and voice to affect change — the really crazy part is we have to defend providing our students with a “real” education:

Berdan, K., Boulton, I., Eidman-Aadahl, E., Fleming, J., Gardner, L., Rogers, I., & Solomon, A. (Eds.). (2006). Writing for a change: Boosting literacy and learning through social action. San Francisco: Jossey-Bass. This text provides the link between reading and writing to build literacy skills that will affect change. It provides “real” examples of how students can become engaged and empowered if we can incorporate the power of social action, and it provides clear activities that are usable. This text is useful because it shows the reader how to approach literacy and learning through social action (just like the title suggests). It discusses different genres of text, how we give to our students a voice, and what is social action. The information in this text can be applied across content areas and grade levels!

Garcia, A., & O’Donnell-Allen, C. (2015). Pose, wobble, flow: A culturally proactive approach to literacy instruction. New York: Teachers College Press. This book discusses literacy instruction, discussing the reading and writing connections and incorporating culturally proactive approaches to literacy. The authors acknowledge teachers’ needs to try new approaches to literacy while reminding us that it may take us out of our comfort zone. It’s an interesting and inspiring read that makes me think about what I model as a teacher to my students. It makes me think about who I am as a reader and writer and what I expect from students. It provides to me the ammunition I need to take to our next PLC to explain why a lot of what we are trying to do is not the best practice! The information in this text can be applied across content areas and grade levels!

Pipher, M. B. (2007). Writing to change the world. New York: Riverhead Books. Pipher’s text discusses the importance of connectedness and how writers can achieve that through their own experiences and the different texts writers can employ to share those experiences. She also talks about the writing process and offers reader-friendly discussion from getting started to the revision process. Pipher suggests and discusses the different ways our voices “call to action,” such as letters, speeches, personal essay, music, and poetry. I was introduced to this text through the Greater Madison Writing Project. It is an incredibly reader-friendly text that successfully convinces the reader how important one’s own stories are and the power these stories have to affect change. I am considering proposing her book as the anchor text for a new course at our high school Social Justice: The Power of Choice and Voice. It is a text that I think will inspire any writer to keep writing for change. The information in this text can be applied across content areas and grade levels!

Additional Resources
Christensen, L. (2000). Reading, writing, and rising up: Teaching about social justice and the power of the written word. Milwaukee: Rethinking Schools.

Christensen, L. (2009). Teaching for joy and justice: Re-imagining the language arts classroom. Milwaukee: Rethinking Schools.

Christensen, L., & Watson, D. (2015). Rhythm and resistance: Teaching poetry for social justice. Milwaukee: Rethinking Schools.

Singer, J. (2006). Stirring up justice: Writing and reading to change the world. Portsmouth, NH: Heinemann.

Tierney, R. J., Carter, M. A., & Desai, L. E. (1991). Portfolio assessment in the reading-writing classroom. Norwood, MA: Christopher-Gordon.

Weber, C. (2006). Nurturing the peacemakers in our students: A guide to writing and speaking out about issues of war and of peace. Portsmouth, NH: Heinemann.

I also recommend the periodical Rethinking Schools, “dedicated to sustaining and strengthening public education through social justice teaching and education activism.” Readers can go online and purchase single copies or full subscriptions. This resource is useful across grade levels and content areas.

Teaching Tolerance is another publication free to educators. This publication addresses social justice issues, how to teach to the issues, and what other schools and their students have done to affect change. Teachers can also receive FREE resources for their classrooms! This resource is useful across grade levels and content areas.

English Journal is a useful resource published through the National Council of Teachers of English. While it is a content specific publication, materials could also be applicable to other content areas, especially social studies. There are issues that address social justice issues, reading and writing to achieve social justice, empathy, genres of writing, so much applicable to giving students choice and voice to affect change! Articles address different grade levels.



Review: Reading with Presence: Crafting Mindful, Evidence-Based Reading Responses, by Marilyn Pryle (Heinemann, 2018. 166 pp.)

Paul Wiegel, English Teacher, Ripon High School/Lumen Charter High School, wiegelp @ ripon.k12.wi.us

Reading with Presence is Pryle’s seventh book aimed at making middle and high school students better readers, writers, and thinkers. Among her other books are 50 Writing Activities for Meeting Higher Standards (2017) and Writing Workshop in Middle School (2013). She is a National Board Certified teacher whose experience includes teaching middle school and high school in both Massachusetts and Pennsylvania, as well as a stint in Nepal with the Jesuit Volunteer Corps. Reading with Presence is an expression of a portion of her personal mission statement: “I believe that becoming a better writer develops one’s own thinking, a benefit that improves every aspect of one’s life, a skill of attention and attunement to this world.” The book outlines a prescription for not only better writing and response to a text, but a method for students to see pathways between what they read and how they experience the world.


Pryle’s book provides her perspective and methodology on a tried-and-true method of reading response: the journal. However, her version purposefully makes room for both student choice and expansion. In all situations, students are allowed to choose their category of Reading Response (RR)—upwards of fifteen categories—provided that they include each of her four criteria: you must label which type of category you choose, use an original thought, quote a sentence or phrase from the text that supports your thinking, and write at least five complete sentences.

The book is divided into two parts. The first section outlines the philosophy and framework for these written responses. Pryle details all the parts of the response and explains how she views this as reading with presence, which she describes as “reading with your whole self, your true self, your memories, your opinions, your willingness to learn and grow” (p. 8). Her ultimate goal is the same for all teachers as they guide students through any kind of reading: to interpret and connect to the text through writing. While it is interesting to see Pryle’s take, many teachers will simply find an affirmation of their own beliefs about teaching: we all want students to make connections, to reference the text to support their ideas, and to feel free to take risks in response. While her reasons are fairly standard, it is reassuring to see alignment with ideas about good journaling here. If nothing else, it will assure readers of her book that the specifics in the second half of the book will be meaningful.

Pryle also shows how she uses RRs as jumping off points for other activities, such as facilitating discussion, conferencing with students, and expanding them into larger written responses. While the class is provided with work time for other tasks, “I circulate and have a short, focused reading conference over each student’s RRs. This method gives me a chance to check that RRs are complete, as well as a chance to connect directly with each student” (p.39). Depending on each student’s need, she discusses academic vocabulary, their choice of response, or, in the case of students with comprehension difficulties, the basic plot or point of the author. Another example of extending the original RRs comes in the form of what Pryle calls “Polished Reading Responses.” Required every few weeks, they ask students to choose one RR, improve it, and turn it in. This extension seems to be a valuable part of of Pryle’s process and would be an improvement on the standard journal. Her explanation of what she does to make the process valuable beyond the initial writing of the RR is a valuable part of the book. These Polished Reading Responses are evidence that Pryle’s overall structure and follow through on her brand of the journal process.

The second part details the categories of RRs. She explains each one, including the subquestions to help students navigate them, and includes annotated student samples from her own classroom. Again, this part contains many categories for journals that all teachers who have used journals will recognize: Ask A Question, Detect a Conflict, Spot the Setting. An example of detailed guidance for a specific question can be illustrated through the category of Clarify the Climax: “You read a part that you realize is the biggest event (or most important moment) in the story. Explain why it is so important and what questions or problems get resolved because of it” (p.91). Another category example is Trace the Title in which students are asked to address these specifics: “You read a passage that seems to directly relate to the title of the entire text. What is it, and how does it relate? Does it mean something deeper? Does it touch upon a theme? Perhaps the title doesn’t seem to appear in the book at all—so what could it mean? Why did the author choose these words as the title?” (p.120).

In all, Pryle’s choices of RRs guide students toward all levels of interpretation. Veteran teachers will find a few new ideas here, or, if nothing else, an overall structure to organize journals into a cohesive grouping. Additionally, the ideas for how to use the RRs as springboards to other activities is an effective way to push students to dig a bit deeper, and any time they can use work they have already completed to take the next step is a good idea. Newer teachers will be introduced to an effective method of journaling. There are many ideas here and suggestions for expanding to even higher levels of thinking. Reading with Presence is an endorsement of writing as a response to reading and an effective method of organizing journals while providing for student choice.

Review: Lessons Learned from the Special Education Classroom: Opportunities for All Students to Listen, Learn and Lead, by Peg Grafwallner (Rowman & Littlefield, 2018. 114 pp.)

Heidi Hamilton, Special Education Teacher, Arrowhead Union High School, hamilton @ arrowheadschools.org

Elizabeth Jorgensen, Language Arts Teacher, Arrowhead Union High School, jorgensene @ arrowheadschools.org

Lessons Learned from the Special Education Classroom is a quick and practical read. With 26 years of experience, Grafwallner draws on her teaching, coaching and learning to drive the text. Each chapter features examples, anecdotes, resources, and a conclusion on how to use section and book study questions. Professional learning communities or teachers in book clubs will find the end of each chapter particularly useful to guide discussions or apply strategies. These questions could also suit school, department or new teacher meetings.


Following a forward written by Dave Stuart, Jr., Grafwallner presents ten chapters: “Accept Every Student as They Are”; “Scaffolding a Lesson Is Just Good Teaching”; “Responding to Every Student”; “Students Want to Feel Loved”; “Empathy, Equality, and Equity”; “The Community of Family”; “Change Your Language, Change Your Mind-set”; “Share What You’ve Learned with Others”; “Ask Your Colleagues for Help”; and “Celebrate—It’s Good for the Soul.” The brevity of the book makes the read manageable, and Grafwallner’s simplicity allows readers to understand, process and implement the content.

Not just for special education teachers, the takeaways, tips and examples apply to a variety of content areas and ages. Lessons Learned focuses on good teaching for all students, including those with special needs as well as disengaged students and the gifted and talented. Although many of the examples focus on high and middle school students, they could be modified for any content area or age. Her philosophy focuses on explaining, modeling, practicing and applying. Similar to the modeling strategy “I do, we do, you do,” Grafwallner presents specific examples for her recommendations.

The focus on parents will be particularly useful for teachers who want practical, easy-to-apply strategies. In our school, teachers are encouraged to send postcards to families in order to commend achievements or recognize growth. A similar strategy is presented in Lessons Learned, but Grafwallner takes postcards a step further, recommending pre-printing and including students in the process, allowing them “the chance to showcase the important work they do and the crucial learning that goes in their classroom” (53). In addition, forms such as conference logs, teacher postcards, and annotations also facilitate student and parent engagement. Grafwallner often refers to familiar strategies and then presents a way to expand or better the practice.

Throughout several chapters, Grafwallner focuses on the power of language and how word choice can impact a teacher’s message to parents or students. She suggests teachers refrain from using “struggling or reluctant when referring to student learning” (p. 66). Instead, she recommends a growth mindset approach, referring to students as developing. Similarly, she suggests teachers replace grades with goals. These language choices apply not only to assessment, but any situation in which students begin to “navigate sophisticated and reflective learning experiences” (69). She also advises avoiding absolutes (always, never, forever) and instead giving “explicit examples, and partner[ing] with parents to create opportunities for growth” (51). Using generalizations or absolutes can put students and parents in a defensive stance (shutting off communication), so Grafwallner stresses positive language choices in building rapport, trust and communication.

Much of education is focused on relationships. Grafwallner writes, “Any less than our absolute presence in the classroom shortchanges [students] and the valuable work you do on their behalf … offering differentiated choices to all students illustrates empathy, equality and equity” (41). She encourages authentic learning opportunities and getting to know students. The challenge for teachers will remain large class sizes and increasing demands, responsibilities or mandates.

By the end of the book, educators will feel affirmed in their good work: being transparent with students, remaining optimistic and positive, starting with the why and goal of each lesson, personalizing and differentiating instruction, as well as collaborating with parents, principals and colleagues. They will also be inspired to try new techniques, strategies or language choices to make their classrooms even more inclusive, authentic and inspiring.

Review: Winning Grants Step by Step: The Complete Workbook for Planning, Developing, and Writing Successful Proposals, by Tori O’Neal-McElrath (4th ed., Jossey-Bass, 2013. 128 pp.)

Thomas Hansen, past Illinois State Supervisor for K-12 Foreign Language Programs, Illinois State Board of Education

I have used the book in previous editions and will be using this one now as it remains one of the most comprehensive, hands-on, affordable, and clear books available on this topic. Its 11 thorough and accessible sections cover all of the most important and basic information about grant searching, planning, and drafting for corporate and foundation grants, from stating one’s mission, overall goals, and priorities all the way to putting paragraphs together to submit a full proposal – for both operating support and project (or program) proposals.


The author clearly has an awesome knowledge of corporate and foundation grant opportunities and organizations. O’Neal-McElrath presents the information very clearly and uses good definitions (and includes alternate terms in several cases). Each edition has been clear, and this one includes a companion website with the worksheets and the sites to visit for information, for grant searching, and for other important aspects of the grant seeking game. The website also includes sample budget forms in Excel that students or grant writers can access to begin working on more complicated budgets early on. This is a benefit to those professionals who have bought the book to use right away on a major and complicated budget and on a big grant narrative to include in the proposal.

All of the above having been said, it is important to add that the book is about corporate and foundation grants, covering the vocabulary, traditions, rules, and procedures for applying to those two kinds of organizations for funding. The book does not cover government grants and makes only brief references to them, such as the statement on page 3 that government grants are really only for very narrow project topics. Although this is not necessarily true, it is a tradition for people to believe this. One of the myths of fundraising believed by those who do not work with government grants is that these funding opportunities are somehow magical or esoteric programs. There is a paragraph like this, perpetuating some of the misunderstandings of how both narrow and general government grants work.

Further evidence of this mindset about government grants is the use of the term “onerous grant proposals” and the idea that there is a huge amount of required “stewardship once this kind of funding is secured.” The professional who is teaching or leading learning groups and classes can explain more about government grants and redirect confused students on these points to help shake up these myths.

A second problem with the book is the coverage of grant budgets, and especially the way the grant budgets are presented. The examples of the budget grids are much too complicated, at least for basic grants and smaller grants, the type most students and new grant writers will be pursuing. The notions of cost-sharing, indirect costs, and other budget complications muddy the waters and also overwhelm the students. There are so very, very many basic grant budgets being used by first-time grant applicants that it would make more sense to use them instead of those provided in the book.

Later in the grant seeking schedule, larger and more complicated budget grids would seem to make sense. However, using such detailed and confusing ones at the beginning adds to the notion that “grant writing is too technical” for the average person to do. This is really not the case, and professionals in fields such as education and social work do just fine in the workshops and classes I teach. So do the undergraduate and graduate students I teach in various kinds of courses and in various fields and majors.

A third problem with the book comes up in “Step 3: Writing a Compelling Problem Statement.” Here, there is a small, and common, error: the author uses the term “qualitative data” to refer to data that is the result of qualitative research methods (p. 31). This is incorrect. It is a common shortcut to refer to data that is the result of qualitative research methods in this way, but qualitative data is technically “categorical data,” such as Asian-American, left-handed, 44 years old, or suburban voter. Steering students away from using the term this way while reminding them that some people do this are honorable activities for the presenter.

In contrast, there is a whole page on qualitative and quantitative research methods that is concise and correct (p. 59). The error explained above is not repeated there.

I have great things to say about the book as a comprehensive start for students and new grant writers faced with learning the vocabulary, traditions, components, and processes involved in finding grant opportunities, gathering thorough documentation and evidence, organizing the information, and responding to those opportunities.

I will use the text again soon, and I will include my own materials about government grants to cover that area also. There still is no book that covers all three areas clearly and comprehensively: corporate, foundation, and government grants.

Review: An Invisible Thread by Laura Schroff and Alex Tresniowski (Howard Books, 2011. 252 pp.)

Thomas Hansen, past Illinois State Supervisor for K-12 Foreign Language Programs, Illinois State Board of Education

Spiritually, I understand the author and her motives and feelings. I really loved this story, and as they say, I could not put the book down once I had started reading. This is a heartwarming story, full of hope, and full of discovery in many ways. I cannot wait to share this book with friends and family and colleagues.

Technically, the title of the book is brief, and we are given this longer explanation on the cover: “The true story of an 11-year-old panhandler, a busy sales executive, and an unlikely meeting with destiny.” Schroff is the executive who, one day on her way to work, stops to help a young man fighting for his life. He asks for spare change, but what he gets is a new friend, a chance at life, and encouragement he has never known.


An Invisible Thread is a wonderful story (and a true one at that!) of Schroff helping to save young Maurice from the streets, and of saving herself in the process. There are many excellent themes here, from self-discovery to embracing differences, and from stepping outside ourselves to learn more about “how the other half lives” to doing what one knows is right despite naysayers.

Kids living on the street are there for a variety of reasons … and each story is a little different. What do highly-successful, driven, hard-working individuals do when faced with somebody who comes from a completely different world? Readers will enjoy what Schroff learns about a world drastically different from the one in which she lives: corporate America. And very different from the “safe” one in which she grew up, namely suburban Long Island.

Everyone should read this book to come to a better understanding of life on the streets, of poverty, of despair, of differences in neighborhoods and family patterns, and of how some people love to keep up the appearances. Teachers, social workers, and some professionals in similar fields already deal with a lot of the challenges presented and explained in the story, especially those threatening the well-being, health, and education of the young.

The story takes place within 19 chapters, including flashbacks to the author’s childhood, and continues to impact those involved. The story will wrap you in and make you think about your own childhood. That’s what the story did to the Schroff. She had to think about her own life each day as she came to an understanding of Maurice’s life.

The book includes a reading group guide, an interview with Schroff, and three activities for book clubs to complete. This would indeed be a fantastic choice for use in a book club. I hope to use it in such a setting or in a class soon.

How to FRAME the First 10 Minutes of Class

Peg Grafwallner, Ronald Reagan High School, Milwaukee, peggrafwallner @ gmail.com

This is an excerpt from Grafwallner’s forthcoming book, working title: How to FRAME (Focus, Reach, Ask/Analyze, Model and Encourage) Your Class for Optimum Success (Solution Tree)

In my role as an Instructional Coach/Reading Specialist, I am often asked to observe student teachers to offer feedback and recommend literacy strategies meant to enhance their lessons. Our biology teacher asked if I would observe her student teacher, who would benefit from another set of eyes. What ultimately emerged was a means of shaping or framing the first ten minutes of class, the initial interaction between instructor and individual students as they enter the room in order to ensure a proper learning environment and student success.

The Observation
On Monday morning I walked into the biology classroom about ten minutes before the bell, ready to observe the student teacher preparing students for the first day of presentations. I expected to see her in the hall greeting students. However, she had not yet arrived. Her door was open and students were milling about, but she was not there. About five minutes before class started, she walked in, went straight to her computer, logged in, and told students that they should get in their groups and “get ready to present.” She took off her coat, grabbed her clipboard, and motioned for the first group to stand in front of the class. They appeared unsure and nervous. As I watched them stumble through their presentation, I wondered if they could have benefitted from a structured introduction to the class, an organized beginning to prepare and support them for the learning ahead.

After each group presented, she listed a series of things they should have done, such as “You needed to speak louder” or “Your slide was difficult to read” or “Did you proofread your slideshow?” Since most of the comments were directed toward presentation techniques instead of content, I wondered what the goal of these presentations was. What were students supposed to know and be able to do?

At the end of class, she read a list of those presenting the next day. After that, the bell rang and class was over.

I took specific observational notes to share with the student teacher to modify the classroom culture and ways in which she could gather explicit feedback from her forthcoming student groups. When I reflected on the lesson and my notes, I realized that the students had missed the culture of learning and had missed the why and the how–the relevance–of their vital work. This student teacher knew her content and was excited to have students share what they had read and researched with their peers. However, she missed the opportunity to connect with the students personally and academically during the first few minutes of class and didn’t see how that might have undermined the content she wanted them to learn. I was excited to collaborate with her to help her realize the value of that connection.

I came to the second day of student presentations to determine if what I had witnessed the day before was an anomaly or standard procedure. Unfortunately, the pattern repeated.

The Creation of FRAME
I met with the student teacher after that second class and shared my observations and ideas in hopes of reframing the remaining presentations:

  1. Since there had been no Learning Target (LT) or SC (SC), we could work together to write them for the remainder of the presentations.
  2. If time was an issue for her in the morning, perhaps as students were getting organized, she could walk around to say hello or give students a conversation question (“What movie best describes you?”) to build a classroom community.
  3. I offered to demonstrate how to call on two or three students to ask them to paraphrase the LT and SC for greater understanding, thereby helping them unpack the what of the work they were doing.
  4. I offered to help create a mini-presentation she could model for the students. Viewing a finished presentation, maybe even two or three slides, might alleviate anxiety and support students in the how of the learning.
  5. I presented the idea of creating a list of encouraging phrases to use as students completed their presentations that focused on process, and not necessarily product.

The student teacher listened but seemed overwhelmed with the suggestions. I recognized that it was simply too ambitious to implement all of these suggestions before the next set of presentations, so we started easy, with greeting the students at the beginning of class and writing an LT and SC, which I find to be a best practice for all classes. Modeling and instructing the work expected, and asking the students to paraphrase it, would provide a visual representation of what they were supposed to do and encourage them to highlight the value and relevance of the process.

It was then that I created the concept of FRAME and the components that make up those first 10 minutes of class: Focus, Reach, Ask and Analyze, Model, and Encourage. My collaboration with the student teacher helped me realize the value of using FRAME during the first 10 minutes and during the lesson in order to check for understanding.

What Is FRAME?
Most K-12 teachers, both novices and veterans, emphasize their content and deliver it in engaging and inspiring ways. While content is indeed important, it is equally important to design a classroom structure that creates enthusiasm and excitement for learning. If a curious community of learners is not formed, the most interesting content will go untaught, unheard, and unlearned. When content is not delivered meaningfully, students get bored, tired and frustrated in order to “escape from the situation” (Jason, 2017). Therefore, as students lose interest, they look for ways to leave the classroom–the bathroom break, the nurse’s office, the phone call home–anything to escape.

FRAME is thus a protocol that clarifies learning expectations and provides a consistent structure of support. It eliminates wasted time and helps the teacher stay true to the lesson while students move systematically through the learning. Utilized within the first ten minutes of class, FRAME offers a comprehensible opener to ensure that all students make connections throughout the lesson:

Focus (before the bell has rung). It’s vital to Focus each class for optimal learning. A structured classroom, one prepared for learning, helps students take the guesswork out of what’s coming next. Meador (2018) explains that “A structured classroom often translates to a safe classroom, one where students can enjoy themselves and focus on learning. In a structured learning environment, students are more likely to thrive and experience personal and academic growth.” Therefore, before students arrive, Focus by writing in student friendly language the LT and SC in their own specific place on the board where students should expect to see them. Don’t merely recopy a standard and call it done. Does the student even understand it? In addition, Focus needs to be manageable. Have you set aside the necessary time for the work to be accomplished? Consider the LT and SC to be a “roadmap.” If students don’t know where they are going, they could become anxious and frustrated. Therefore, help them define the journey.

Reach (before the bell has rung). Reach gives each student the personal attention that is so important in developing a sense of classroom community. Wyatt-Ross (2018) clarifies that “School leaders and classroom teachers should view their school or classroom spaces as culturally inclusive classroom communities where everyone is welcome.” Therefore, acknowledging the presence of each student with an engaging smile, individual eye contact, and preferred name pronounced correctly demonstrates a sense of self within the community. Students are energetic members whose ideas, critiques, successes, and challenges will be met with respect, empathy and mindfulness as they learn to become their best selves.

So, even before the bell has run, stand at your door in the morning and greet the students as they walk in. That greeting could be a handshake, a fist pump, a pat on the back, or an individualized hello meant for that student. Most importantly, use their names to make them feel valued and respected. Remember, we are our students’ academic family and our classrooms become their kitchen table. For some, the teacher might be the only consistent “family” member they have. Reaching out demonstrates a commitment to students and their socio-emotional learning.

Ask and Analyze (3 minutes). Staying true to the LT and SC is successful only if students understand what it is they are asked to know and do. Therefore, it is important to teach them how to Ask questions and Analyze what is expected. If they lack an understanding of the work ahead, Moss, Brookhart and Lang (2011) write, then “The teacher will always be the only one providing the direction, focusing on getting students to meet the instructional objectives” (p. 66). Therefore, it is important to demonstrate how to Ask robust questions and Analyze the “what” and “why” of the LT and SC through paraphrasing so they own their understanding about the tasks ahead and why those tasks are valuable.

During Ask and Analyze, read the LT and SC and ask students to paraphrase them. Afterwards, give them time to collaborate in pairs or small groups to ask questions or process how they can master the day’s learning. Give them time to analyze the task. What do the pieces of the SC look like? What do they need in order to be successful? How will they know if they have reached their goal? They can be successful only if they have time to Ask and Analyze the LT and the SC in their own voices.

Model (4-5 minutes). Modeling the process and the product helps students know that they, too, can meet the LT by taking the mystery out of the work. If they feel overwhelmed by directions or lost in the myriad of steps to get the work done, they may become frustrated. Therefore, it is important to break the task into smaller steps. Clayton (2010) expresses that breaking down the task “sends the message that you value the process of learning, not just the products.” Adding to that, Alber (2014) suggests that showing the finished product first “can guide students through each step of the process with the model of the finished product in hand.” Using student work to demonstrate the process empowers them to know they, too, can reach their goal. As a result, they can begin to process their understanding of the task and what they need to do to complete it.In other words, during Modeling, the teacher is not telling the students what to do. Rather, the teacher is showing them what the work looks like in explicit and authentic ways.

Encourage (2 minutes). Encourage the work by praising the process of that work. You have designed a lesson that will support your students’ curiosity to become global learners; therefore, tell them the work might be challenging and, at times, perplexing. However, there is support within the classroom community to understand the LT and conquer the components of the SC. Therefore, let students know that Encouragement will focus on “their hard work, their strategies, their perseverance” rather than just “praising intelligence” (Dweck, 2014).

Offering Encouragement builds a relationship of community and trust. We know this work can be difficult, so explaining the value of “productive struggle” assures students they are not in this alone. Praise the effort with key language such as, “Show me how you solved that problem,” or “Explain the strategy you used to discover that answer,” or “Why did you complete the task like that?” While we need to support the learner and the learning, it’s imperative we praise the strategies students use to achieve the effort. We don’t want them using the same ineffective strategies: we want them to ask for help if they get stuck, but we also want them to try other resources for a positive outcome.

Using FRAME to Enhance Learning
The student teacher and I met again before the next class and created an LT and SC together. During our meeting, I learned the teacher did have each written but didn’t provide them to the class. In fact, while researching, planning, implementing, and reflecting on her lesson, she had forgotten about them. I explained that many things can get lost in the shuffle as we try to design the best, most engaging classroom lesson we can, and using a framework for those first few minutes might keep her and her students on track. Once we developed the LT and SC, we wrote them down on butcher paper and hung them in the front of the classroom so students could see them as they walked ins. Then, as they were preparing for presentations and getting organized for the learning, she walked around the room, greeted each table, and offered positive words to those who had not yet presented.

Once the students were ready, the student teacher read the LT and SC out loud. Unfortunately, there was not enough time to unpack the why and how since presentations were on a tight schedule. Still, the teacher greeted her students specifically and we provided an LT and SC where there had not been one before. At the end of the presentations, the student teacher and I met one more time. She had implemented the two components in all of her other classes and noticed specific improvement. She shared that her students seemed more relaxed and less anxious about the presentations once she started providing that structure. As a result of their demeanor, she thought they appeared more confident. Also, she was learning things about her students she had never known before (“several of my students walked in the Dreamers March. I didn’t know that”) and appreciated them sharing their lives with her.

She explained that she had never really thought much about the beginning of class, but instead was more content-oriented. But, after our discussions, the student teacher wanted to continue working with me about ways to structure those first 10 minutes for optimal student success.

I shared my conversation with her cooperating teacher, who appreciated my support and especially valued the methodical approach I offered to student learning. She recognized the importance of the FRAME approach and since has implemented a pertinent LT and SC. She also now reaches out to every student by standing in the hallway and shaking hands and is working toward the Asking and Analyzing component. She usually read the LT and SC and simply moved on. Now she takes a more critical approach by asking her students to paraphrase them and analyze the language in order to explain to her and each other the process of the task. In addition, she thought she could model to instruct in a more comprehensive way by demonstrating the process of the work students were supposed to do instead of just showing the finished product. Finally, her self-reflection offered the opportunity to encourage students using language that complemented the process and the effort, not the student’s brain power!

My experience helped me realize that focusing on an instructional target, intentionally building community in the classroom, demonstrating achievement, modeling desired outcomes, and encouraging students will develop a curious community of learners ready to engage with the content and understand why it is valuable.

The Challenges of FRAME
While FRAME is a systematic and structured approach meant to guide the teacher and support students, there could be challenges in its implementation. It was clear that the student teacher was doing her best to deliver the content; however, the method of delivery and the building of community was lacking. The implementation of “one more thing” can seem overwhelming to a novice teacher. My recommendation is to suggest, as I did, two or three of the components initially. Once the teacher becomes adept at applying those, suggest the remainder of the structure.

Also, one might argue that FRAME has to be implemented at the beginning of the year for it to be worthwhile or for students to embrace the structure. Again, I encourage the teacher to add components of FRAME in pieces until the entire protocol is executed. As an example, make it a point to post the LT and SC on the board before you leave for home. Then, tomorrow, stand outside your classroom door and take attendance. Apply these two components for a couple of weeks and then add the next component. You don’t have to wait until the semester or the new mark period to begin. You can begin right now!

Finally, if one is a traveling teacher, it might be difficult to logistically apply FRAME, for even getting the LT and SC posted before students walk in the door can be challenging. Perhaps write the LT and SC on large butcher block paper and hang the paper on the wall as you enter the room. Then, greet your students as they walk in and give them a chance to read the LT and SC and encourage conversation. While initially cumbersome, students will begin to look for the LT and SC, knowing they will drive their learning forward.

The Significance of FRAME
Teachers are eager to implement the content they have learned or the lesson they have designed. They are excited to support students and help them become better readers, writers, mathematicians, historians, artists, and global thinkers. However, we sometimes forget that, as valuable as our content is, it will be moot if our students aren’t prepared and poised for learning.

Unfortunately, many teachers dive right into the material without considering the implementation of a structure or routine to their class. Students want to know the “big picture”: they want to know where they’re going and how to get there. If there is no structure, they are apt to be disengaged and disinterested. The purpose of FRAME is to eliminate the anxiety and trepidation they might feel upon entering the classroom. FRAME removes that concern and, instead, provides a basis for community building and learning.

FRAME was borne out of a need to help a fellow teacher whose lesson was complete; there is no doubt she knew her content and wanted her students to know it, too. However, without properly organizing their thinking, the lesson fell short. As a result of her experience, I designed FRAME to help teachers get their students ready for the important job of learning. If students aren’t ready to learn, the best lesson will fail. Therefore, prepare them for what you have created and designed especially for them. In fact, both advanced and developing learners will appreciate the consistency that FRAME offers and will be able to use the time to organize and prepare their mind and body for learning. It is the suggestion of routine and structure that gives intention and significance to your lesson plans.

FRAME offers a structured guide to daily teacher preparation and planning while building a firm foundation for student readiness. Its components–Focus, Reach, Ask and Analyze, Model, and Encourage–are grounded in research-based methods and practical strategies meant for all abilities and for all grade levels. FRAME is all about establishing routine and structure before students enter the room, building community in an authentic and relevant way, showing students how to ask and analyze the learning they will be doing, modeling the process and the product, and supporting students in using strategies and encouraging productive struggle to learn and grow. FRAME supports all learners, all grade levels and all abilities in respectful and honorable ways…

Now, let’s get our FRAME on!

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